Por Mark Pullinger , 28 marzo Ermonela Jaho sure likes to put herself and us through the emotional wringer on Covent Garden's stage. Her characters usually meet with a sticky end: Only Magda in La rondine makes it to the curtain alive but having abandoned her lover. This time, London finally got to see her as another tragic Puccini heroine: A Yankee naval lieutenant purchases a house in Nagasaki and buys himself a year old wife.
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She is a statuesque Latvian blonde, barely transformed by her dark wig and geisha makeup. Yet she convinces utterly as the fifteen year old Japanese bride bought by an American naval officer then cruelly abandoned. Yet all of Butterfly's iron resolve is embodied in Opolais's flinty tones. A tougher character than the 'plaything' the faithless Lt Pinkerton describes, she has the fortitude to wait three years for his return and the courage to kill herself as he departs for good. The tragedy of this Butterfly is not that her tiny child is taken away by Pinkerton and his new wife, but that her own dreams are crushed. Even a cheesy, stagey death scene with kimono sleeves flapping like butterfly wings can't detract from a magnificent debut. The ending aside, one thing this production can't be accused of is fussy visual detail.
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